January 31st, 2008

Paul Verhoeven (again)

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[It] has always been a pleasure [for] me to work in the B-genre and elevate that, or use that as a vehicle for other thoughts. It’s like the paintings of Karel Appel, our Dutch guy, who was copying all these children’s paintings. That was a heavy influence – or you could even look at Dada. It’s a normal thing in art, to use the ‘mediocre’ and the ‘banal’ to make a statement. That kind of sophistication in art is rare in film-making.

If you look at painting or even in music – especially at the beginning of the 20th century. Even the titles of some of these pieces: ‘Musique en forme de poire’ by Satie. Using the banal – something that is everyday, which is used in a different way. This is normal in a lot of the arts, only in film-making it isn’t, because of the high entertainment value, where everything has to be immediately understood. It’s rare, and if you use that, this method of hyperbole and irony and alienation, it’s very difficult for the audiences and even for the film critics to see through that. Often they are not even basically educated in the other arts, so they can only look at movies in the same way they’ve been looking at movies for the last fifty years or so.

This is why I like his films…!

Two interesting interviews: Here and here.


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